2024
This large mixed-media vanitas oil painting depicts a collection of objects with a history of prophesy and mysticism. Scrawled over the polychrome arrangement are the words “Miracles Happen!” in an old-Hollywood font. The transparent text is composed of hand-made glitter and linseed-stand oil. The admixture oozes down the surface of the canvas in controlled drips.
A brilliant cobalt gong, mounted in a baroque red-and-gold frame, stares outward with an all-seeing eye, radiating both defense and invitation. The painting presents protection not as absence of harm, but as attention sharpened by ritual—sound as shield. A shrine to psychic attunement, it distills spiritual resonance into precise visual form, keeping safe and sacred what is treasured.
Private Collection
Sortilège Plume
Oil on panel
A constellation of sacred artifacts—blue ostrich feathers, crystal orbs, cracked shell, bone, and charms—rests in ceremony across a silver-draped table, lit with spectral calm. This work evokes the language of altars and spellcraft, where feminine transformation is channeled through talismanic stillness and symbolic material. With its stark chiaroscuro and mythic palette, the piece honors care as an ancient ritual of order, memory, and beauty.
Private Collection
Rosé Brunch
Oil paint on canvas
A confectionary altar unfolds across a white ledge—macarons, salt crystal, crystal ball, and horned seashell lit by a plume of pale pink and surrounded by ritual vessels. In Rose Brunch, Jo Gamel composes a still life of sensual paradox—where soft pleasure and sacred materiality intersect in a tableau of feminine abundance and occult refinement. Rendered with decadent precision, the piece examines beauty as a devotional act and care as both indulgence and inheritance.
Private Collection
A record player hums beside coral, crystal, and celestial relics—objects arranged as if for ritual listening or divinatory tuning. Legacy Record links sound to lineage, portraying music as both inheritance and enchantment. The surface shimmers with glittered resin, like stardust still vibrating from a beloved note.
Private Collection

As exhibited during London Art Week at Chelsea Old Town Hall; In Legacy Record in Showtime frame, a record player holding Jenny Darren’s 1978 album Queen of Fools is arranged with a crystal ball, shell, sea star, and ankh within a pearlescent green atmosphere. Drawing on the structure of vanitas painting, the work brings together sound, divination, and tidal relics as emblems of feminine vitality, treating legacy as something sensuous, occult, and still alive in the present.